A look at films distributed in a calendar year. Film titles were collated from Sunday editions of The Brunei Times.
The data contains: language, genre (arranged alphabetically), runtime, IMDB score, Rotten Tomatoes score and film rating. Film rating for a majority of film are from the British Board of Film Classification, while others are from the Film Censorship Board of Malaysia.
Era writes about personal finance on her blog @ najibahabdullah.com and the following is her insightful article on managing personal finance in Brunei: ‘MILLENNIALS REDEFINING THE WORKPLACE AND WHAT IT MEANS TO BE FINANCIALLY INDEPENDENT’
So I learnt recently about the four generations that are in the workplace. So for those who do not know this, there are four generations in the workplace known as :
As a Bruneian it might seem unimportant to you to think about drones. But with the right mindset even a subject so remote from you can change the way you think about your everyday life. Drones are essentially aircraft without pilots present in the aerial vehicle. They are instead controlled by ‘pilots’ from the ground in a remote location. In recent years, there has been a commercialization of drones by companies such as Amazon who are testing them for a new delivery system. However drones are used mainly for reconnaissance, surveillance, and warfare. By equipping drones with missiles and bombs, military strategy has become more efficient and it is possible to engage in warfare without being in the warzone. In many other fields, technology has made it easier to save lives (medicine), improve living (energy), or keep in touch (communication). In this field, technology has made it easier to kill.
The word kampung has its roots in the colonial times derived from the word camp as in site or an alteration on the word compound which, for some reason, dictionaries seem to describe as a Far Eastern or African term for an enclosure of residences. Kampung itself by definition is a small village or an area of rural residence – that is outside of the city and beyond the urban zone. I do not know if these terms apply to Brunei as decisive as these definitions seem to clarify but what I am trying to get at is the suggestion of a geographical ‘outside’ (of the city) and of the theoretical ‘other’ (than that of the centre).
A work of art can alienate if it remains an object of presentation perceived to belong on some unreachable plane. Unreachable in a sense that it is considered too highbrow or in the way it does not reach out and speak to the observer. Such misperception, that art is generally unreachable, can stem from both the artist and the observer.