The Importance of the Work of Art

A work of art can alienate if it remains an object of presentation perceived to belong on some unreachable plane. Unreachable in a sense that it is considered too highbrow or in the way it does not reach out and speak to the observer. Such misperception, that art is generally unreachable, can stem from both the artist and the observer.

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In Search of Bruneian Art: Faiz Morshidi @ Expression by Kaleidoscope Studio

The sense of tension in the painting ‘Rooted’ (above) makes it seem the human like figure is trying to writhe himself free of something. The contours of the figure affirms this narrative: the momentum of the anatomy gives me the impression that there is a contraction of the body, a subtle struggle. The neck looks like it is stretching out or fighting against a downward pull. If the figure was looking directly at me, the gaze of his hollow eyes would almost be unbearable. I feel I am spared by the artist. The colours tell a different story.

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Beyond the Painting

I am at the Chelsea College of Arts. In the midst of the lunch hour buzz, I cannot help but notice the student demographic of the college – do artists look a particular way? Perhaps this is erroneous to suggest but there is an acute sense of taste expressed in what seemed like an accidental understanding of a dress code. Maybe this is the artistic elan leaking through: most of them carry some kind of object in one form or another – paintings, frames, parts of an installation – I can only get glimpses of this fleeting art as they pass by. The atmosphere is one of creative productivity but they pass me by in very brief glimpses.

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